Trombone

Module VII

The F Attachment

What the thumb trigger really does to the slide: every position measured in centimetres, side by side, and when to use it.

the short answer

Pressing the trigger makes the whole horn 33.5% longer — a perfect fourth lower — so every slide position moves 33.5% further out. Only six fit on the slide.

past the end of the slide0 cm10203040506070801234567T1≈1.0T2≈2.3T3≈3.6T4≈4.9T5≈6.2T6≈7.4T7≈8.6

Top row: the seven ordinary B♭ positions. Bottom row, in green: the trigger positions T1–T7, measured with the same formula, and (small numbers) where each one lands in B♭ positions. T7 — low B — would need 75.7 cm of slide, past the end.

try it: one slide, two horns

past the end of the slide0 cm10203040506070801234567T1≈1.0T2≈2.3T3≈3.6T4≈4.9T5≈6.2T6≈7.4T7≈8.6

thumb trigger down · slide at 0.0 cm — where B♭ position 1.0 would be

T1

Slide 0.0 cm out from closed — 1st position (1.00 in B♭ positions).

the notes this slide spot gives you

the exact comparison

SlotB♭ side: slide outB♭ side notes (h2 · h3 · h4)Trigger: slide outLines up withTrigger notes (h2 · h3 · h4)
10.0 cmB♭ · F · B♭0.0 cm1.0 — 1st positionT1: F · C · F
28.1 cmA · E · A10.9 cm2.3 — between 2nd and 3rdT2: E · B · E
316.8 cmA♭ · E♭ · A♭22.4 cm3.6 — between 3rd and 4thT3: E♭ · B♭ · E♭
425.9 cmG · D · G34.6 cm4.9 — a short 5thT4: D · A · D
535.6 cmG♭ · D♭ · G♭47.5 cm6.2 — a long 6thT5: D♭ · A♭ · D♭
645.9 cmF · C · F61.2 cm7.4 — past 7th — the very end of the slideT6: C · G · C
756.7 cmE · B · E75.7 cm8.6 — off the end of the slideT7: B · G♭ · B

Measured for an effective B♭ air column of 2.74 m. Real horns differ by a centimetre or so — every slide is tuned by ear — but the pattern is fixed by physics: the trigger gaps are always 1.335 times the B♭ gaps.

same note, with and without the trigger

  • C

    Without: 6 (45.9 cm)

    With trigger: T1 (0.0 cm · 1st position)

    saves 45.9 cm of reach

  • B

    Without: 7 (56.7 cm)

    With trigger: T2 (10.9 cm · between 2nd and 3rd)

    saves 45.9 cm of reach

  • F

    Without: 6 (45.9 cm)

    With trigger: T1 (0.0 cm · 1st position)

    saves 45.9 cm of reach

  • E

    Without: 7 (56.7 cm)

    With trigger: T2 (10.9 cm · between 2nd and 3rd)

    saves 45.9 cm of reach

  • E♭

    Without: not on a straight tenor

    With trigger: T3 (22.4 cm · between 3rd and 4th)

  • D

    Without: not on a straight tenor

    With trigger: T4 (34.6 cm · a short 5th)

  • D♭

    Without: not on a straight tenor

    With trigger: T5 (47.5 cm · a long 6th)

  • C

    Without: not on a straight tenor

    With trigger: T6 (61.2 cm · past 7th — the very end of the slide)

  • B

    Without: not on a straight tenor

    With trigger: off the end of the slide

when players use the trigger

  • C (h3) in T1 instead of 6th — the classic. Same slide as 1st, so B♭–C–B♭ needs no slide move at all.
  • B♮ (h3) in T2 instead of 7th — T2 is a long 2nd (10.9 cm), not a 7th (56.7 cm).
  • Low F and E (h2) in T1 and T2 instead of 6th and 7th, for anything quick down there.
  • The missing low notes E♭, D, D♭ and C below the staff exist only on the trigger: T3, T4, T5, T6.
  • F (h4) in T1 — an alternate to 1st position when you are already on the trigger (C–F becomes a lip slur).
  • Positions are wider — reach T3 at about a short 4th, T4 at a short 5th, T5 at a long 6th. Don’t place them where the B♭ numbers are.

the catches

  • Low B is missing. T7 would be 75.7 cm out; a tenor slide ends near 64 cm. Pull the F tuning slide to E to get it, then re-learn the trigger positions.
  • T6 (low C) sits a little past 7th — the very end of the slide. Get there early.
  • Tune the F side too. Play C in 6th, then C in T1, and move the F tuning slide until they match.
  • The extra tubing resists a little more. Keep the air moving through trigger notes so they don’t go stuffy.
  • A glissando can’t cross from one side to the other — the trigger is a switch, not a slide.

why the trigger positions are further apart — the maths

1 · A fourth lower

B♭ down to F is five semitones. Pitch falls by 21/12 per semitone, so the tube must grow by 25/12 = 1.3348 — almost exactly 4 ÷ 3 = 1.3333. The rotor switches in 0.92 m of extra tubing.

2 · Same semitone, longer tube

One semitone lower always means the whole tube × 1.0595. A longer tube needs a longer piece added: on the F side every gap is 1.335 × the B♭ gap. 1st→2nd: 8.1 cm vs 10.9 cm.

3 · Six fit, seven don’t

B♭ 7th is 56.7 cm out. × 1.335 = 75.7 cm for T7. The slide runs out near 64 cm, so T6 (61.2 cm) is the last trigger position that exists.